Category: Copyright
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Digital Scholarship
Christine Borgman is one of my scholarly heroines; when it comes to her fine nose for current developments in e-scholarship and digital information retrieval and her thorough and concise way of communicating (alas, she is a specialist in scholarly communication) these issues via monographs, articles and lectures, she definitely belongs to my scholarly all-star gallery.…
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Remix online for free
Lawrence Lessig has announced the release of the free Creative Commons licensed download version of his book Remix from Bloomsbury Academic on his blog. Bloomsbury Academic is a new imprint from Bloomsbury (yep, the one from Harry Potter), led by renowned publisher Frances Pinter. I have written about Pinter and the Bloomsbury model before…
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Schyzophonia. On Remix, Hybridization and Fluidity
I read Lawrence Lessig’s Remix a few months ago, a great book with a stimulating positive approach to the whole piracy and copyright problema, focusing on finding solutions which cater to the increasingly prevailing remixed and remediated forms of digital art and culture, in which the hybrid has become common ground. Lessig discusses new musical…
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Highlights from APE 2009 – Day 1
The first day of the APE conference in Berlin, which, as mentioned before, focused on the impact of publishing in the digital age, started with a keynote by Georg Winkler from the European University Association (EUA), entitled Universities in the 21st century. Winkler started off by asking the question of what makes an university unique,…
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The Full Monty – For Free!
Two updates on things I wrote about in previous posts. First of all, The New York Times picked up the discussion on the use of You Tube as a search engine, or better yet, as the NYT calls it, as a reference tool. They wrote a very nice article (published in print on January…