Category: Information and knowledge

  • Narratives of Book Formation (Part I)

    Narratives of Book Formation (Part I)

    Chapter 4 of my thesis focuses on the genealogy of the (discourse surrounding) scholarly systems of material production and the book as commodity. You can find a draft of the first part of this chapter underneath, including an introduction to the 2nd section of my thesis, which also includes chapter 5, which I will publish…

  • Knowledge Machines: Conference Report and Video Recordings now available

    Knowledge Machines: Conference Report and Video Recordings now available

    On the 27th of September of this year, the Centre for Disruptive Media teamed up with Kent’s TEEME programme to host Knowledge Machines: The Potential of the Digital. A Symposium on Alternative Practices for Humanities Research, at the University of Kent. A conference report is now available which you can find underneath. The video recordings of…

  • Critical Keywords for the Digital Humanities: Open Access

    Critical Keywords for the Digital Humanities: Open Access

    The Cent­re for Di­gi­tal Cul­tu­res (CDC) at Leuphana University recently started releasing a collection of keywords (from post-media to copyfight), as part of its Critical Keywords for the Digital Humanities project. I was invited to submit a contribution on open access, which you can find underneath. All the keywords are available at the CDC website…

  • Embracing Messiness

    Embracing Messiness

    Last week, from the 12-14th of November, I attended The Post-Digital Scholar Conference. Publishing between Open Access, Piracy and Public Spheres, in Lüneburg, organised by the Hybrid Publishing Lab. I gave a paper in the panel ‘The Mess that Open Access has become’, organised by Andreas Kirchner, and including Armin Beverungen (Leuphana University), Martin Haspelmath…

  • Open Education: Condition Critical

    Open Education: Condition Critical

    Open Education: Condition Critical A panel exploring opportunities to critically and creatively experiment with different ideas of what the university and education can be http://disruptivemedia.org.uk/ Thursday November 20th 4:30-6:30pm Coventry University Panellists: Sean Dockray (The Public School/AAAAARG.ORG) – via Skype Richard Hall (De Montfort University Leicester) Shaun Hides (Coventry University) Sharon Irish (University of Illinois/FemTechNet)…

  • Performative Publications

    Performative Publications

    Last spring I worked on a project together with 2nd year design students Nabaa Baqir, Mila Spasova and Serhan Curti to create an alternative take on, or an artist’s book out of the article ‘The political nature of the book. On artists’ books and radical open access’, which was written by myself and Gary Hall…

  • Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research

    Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research

    TEEME and The Centre for Disruptive Media present: Knowledge Machines: The Potential of the Digital. A symposium on alternative practices in humanities research Saturday, 27 September 2014 from 11:00 to 18:15 University of Kent Grimond Lecture Theatre 3 Grimond Building CT2 7NZ Canterbury United Kingdom http://www.kent.ac.uk/knowledge-machines Registration: http://www.knowledgemachines.eventbrite.co.uk/ Knowledge Machines is a free one-day symposium…

  • The perseverance of print-based authorship within humanities scholarship (III)

    The perseverance of print-based authorship within humanities scholarship (III)

    Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…

  • The perseverance of print-based authorship within humanities scholarship (II)

    The perseverance of print-based authorship within humanities scholarship (II)

    Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…

  • The perseverance of print-based authorship within humanities scholarship (I)

    The perseverance of print-based authorship within humanities scholarship (I)

    Chapter 3 of my thesis focuses on authorship, and you can find a draft of the first part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. For…

  • Our Take On Disruption

    Our Take On Disruption

      [Reblog from The Centre for Disruptive Media Blog]   Disruption, as a term and theory, has been the subject of much discussion in both mainstream and social media – a level of interest that has only increased as a result of Jill Lepore’s June 2014 article for The New Yorker, ‘The Disruption Machine’. In…

  • Experiments in editing

    Experiments in editing

    On March 7th of this year we ran our first seminar as part of the Disrupting the Humanities Seminar Series at Coventry University, which has been organised by the Centre for Disruptive media. You can find more information about this series here. The videos for this seminar, entitled ‘Disrupting the scholarly establishment. How to create…