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Tag: Eduardo Navas

  • Cut-Up

    Cut-Up

    Eduardo Navas, Owen Gallagher and xtine burrough have again proven to be the main trendsetters where it concerns the field of remix studies with the publication of their second remix studies anthology, which has this time been framed around 24 essays all focused on a specific keyword of relevance to this burgeoning field. You can…

  • On Liquid Books and Fluid Humanities (part III)

    On Liquid Books and Fluid Humanities (part III)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • On Liquid Books and Fluid Humanities (part II)

    On Liquid Books and Fluid Humanities (part II)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • On Liquid Books and Fluid Humanities (part I)

    On Liquid Books and Fluid Humanities (part I)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • New Visions for the Book III: Liquid Books

    Part 2 – The archive One of the suggestions made in discussions on remix to cope with the problem of authorship in the digital age, is to shift the focus from the author to the selector, the moderator or the curator. In cases where authorship is hard to establish or even absent, the archive can…

  • New Visions for the Book II: Remix

    Part 3: Remix re-examined See here for part 1 and here for part 2 Navas’s and Manovich’s thinking on remix seem to complement each other nicely. Where Navas analyses remix as discourse from a historical context, taking into account power-relations and the wider societal context shaping and triggering the rise of remix, Manovich takes a…

  • New Visions for the Book II: Remix

    Part 2 – Lev Manovich Lev Manovich is a professor of Visual Arts, at the University of California, San Diego, specialized in new media, software and digital culture. Manovich directs the The Software Studies Initiative where he practices cultural analytics. Similar to Navas, he has theorized and applied the concept of remix frequently in his…

  • New Visions for the Book II: Remix

    Part 1 – Eduardo Navas In the first part of New Visions for the Book, I described how the concept of the book is being used as a strategic power tool to argue for a certain knowledge system. I tried to show how within this discourse certain essentialist notions—such as authorship, stability, and authority—still hold…

  • Schyzophonia. On Remix, Hybridization and Fluidity

    I read Lawrence Lessig’s Remix a few months ago, a great book with a stimulating positive approach to the whole piracy and copyright problema, focusing on finding solutions which cater to the increasingly prevailing remixed and remediated forms of digital art and culture, in which the hybrid has become common ground. Lessig discusses new musical…